READ CHAPTER 14. As you read, take notes, summarizing concisely the key concepts presented in CHAPTER 14 (The Submediant and Mediant Triads).
Overview: Mediant and Submediant Triads Where we find the mediant and submediant triads, their quality, and why one might use these harmonies (Dr. Watson)
Assn. 14.1: Spelling the Mediant and Submediant Triads Assn. 14.1 asks the student to spell the mediant and submediant triads in every major and minor key (Dr. Watson)
Assn. 14.3, #1: Part-writing with (Mediant and) Submediant Triads In this example you'll part-write using most chords studied thus far, PLUS the submediant triad.
READ CHAPTER 14. As you read, take notes, summarizing concisely the key concepts presented in CHAPTER 14 (The Submediant and Mediant Triads).
Overview: Mediant and Submediant Triads
Where we find the mediant and submediant triads, their quality, and why one might use these harmonies (Dr. Watson)
Assn. 14.1: Spelling the Mediant and Submediant Triads
Assn. 14.1 asks the student to spell the mediant and submediant triads in every major and minor key (Dr. Watson)
Assn. 14.3, #1: Part-writing with (Mediant and) Submediant Triads
In this example you'll part-write using most chords studied thus far, PLUS the submediant triad.
CLICK HERE for the worksheet for Assn. 14.3 (selected)